EnigmA Amiga Run 1997 July/EnigmA AMIGA RUN 20 (1997)(G.R. Edizioni)(IT)[!][issue 1997-07 & 08][EAR-CD IV].iso/lightwave/tml/95.toaster-06/[e-mail]_Thu Jun 1 03:17:25 1995.msg

Internet Message Format | 1995-07-04 | 2KB

Received: by webcom.com
    (1.37.109.15/16.2) id AA008521845; Thu, 1 Jun 1995 03:17:25 -0700
Return-Path: <[e-mail]>
Received: from desiree.teleport.com by webcom.com with ESMTP
    (1.37.109.15/16.2) id AA007071828; Thu, 1 Jun 1995 03:17:08 -0700
Received: from linda.teleport.com ([e-mail] [192.108.254.12]) by desiree.teleport.com (8.6.10/8.6.9) with ESMTP id DAA25052 for <[e-mail]>; Thu, 1 Jun 1995 03:20:32 -0700
Date: Thu, 1 Jun 1995 03:20:29 -0700 (PDT)
From: Steve Herring <[e-mail]>
To: "J. David Johnson" <[e-mail]>
Cc: [e-mail]
Subject: Re: Orange Gels
In-Reply-To: <Pine.SUN.3.91.950531235446.18334A-100000@rigel>
Message-Id: <[e-mail]>
Mime-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
Sender: [e-mail]
Precedence: bulk

On Wed, 31 May 1995, J. David Johnson wrote:

> I remember reading in the past about orange gels used to backlight a
> chroma-keyed subject thereby reducing/counteracting blue-bounce.
>
> Does anyone know the proper orange gel # & such that provides good results?

Although I haven't thoroughly experimented with this - AMBER gels seem to
give us the best results for a back-light.  Be careful with the gels
though, because too much of one color makes a VERY sharp chroma-key
edge, which looks just as bad as the "blue halo".

Good Luck!
-Steve
--
Steve Herring <[e-mail]> posted this message.
To Post a message            : [e-mail]
For Un/Subscription requests : [e-mail]
(DIGEST)                  OR : [e-mail]
Administrative Messages      : [e-mail]